Stuff like that is probably the real reason that house became so famous. ThereвЂ™s that story of Weir getting in trouble with the police for throwing water balloons off of the roof - thatвЂ™s been written about in every book (including this one, now). Both of these public spaces would be вЂњinstrumental,вЂќ so to speak, during our time there.ДЇor the most part, during the bandвЂ™s tenure at 710 Ashbury, it wasnвЂ™t where I spent the night, but it is where I spent most of my time. It was also a brisk walk to Golden Gate Park and its eastward extension, the Panhandle. Wandering around Haight, youвЂ™d end up bumping into everyone you wanted to find and - as the song goes - strangers would stop strangers, just to shake their hand. We really became entrenched in that scene, if not synonymous with it. That stretch became hippie central, a phenomenon, a time and place that has since made it into the history books. When we werenвЂ™t hanging out at the house, weвЂ™d walk down Ashbury, hang a left on Haight, and hang right there with the throngs of like-minded people gathered outside, on the street. It helps that the house was just a few short blocks up from the intersection of Haight-Ashbury. Klay Thompson's mundane Bay Area brunch story has Steph, Draymond cracking up at Warriors parade.Warriors Draymond Green stops to order Ghirardelli ice cream during victory parade in San Francisco.The best photos from the 2022 Warriors championship parade in San Francisco.Warriors take the most hungover photo on plane ride back to Bay Area.'Substantial weather pattern change' bringing heat and monsoonal moisture to California.Wise choice from our perspective but perhaps questionable from any other. I heard that Ken Kesey was driving down it one day and his brakes gave out and he had to make a quick decision: he could crash into the Grateful Dead house, or he could crash into the Hells Angels house. Like many San Franciscan streets, Ashbury is on a hill. Kinda a nice juxtaposition - and the names play off each other, too. So you had the Grateful Dead on the one side of that street, and the Hells Angels on the other. Also of note: 715 became somewhat of a nest for Hells Angels. So did Alton Kelley and Stanley Mouse, the famous psychedelic poster artists who did several of our album covers and whose art remains a big part of our identity today - most notably the вЂњSkull and RosesвЂќ image. Sue Swanson and Ron Rakow, both eventual Grateful Dead employees, lived there. There was another Victorian across the street, at 715 Ashbury that, while not nearly as famous, is still a part of the story. вЂњWe knew the management.вЂќ And thatвЂ™s how 710 Ashbury became the Grateful Dead house.

It was no coincidence that when we needed to leave Camp Lagunitas for the real world, rooms there mysteriously began to open up until we took over the entire building. Our place on Ashbury Street was the same boarding house where (band managers Rock) Scully and (Danny) Rifkin first set up the bandвЂ™s office, while managing both the band and the house.

Grateful dead house